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Cast And CrewCast: Matthew Lillard,Nora Zehetner,
Christopher McDonald,Shea Whigham,
Kate Burton,Wendi McLendon-Covey
Director: Drake Doremus
Producers: Jonathan Schwartz,
Lindsay Stidham,Matthew Lillard,
Marius Markevicius,Sean Vawter,Zygi Wilf
Writers: Lindsay Stidham Screenwriter
Lindsay Stidham Screen Story
Jonathan Schwartz Screen Story
Drake Doremus Screen Story
Cinematographer: John Guleserian
Music: Bobby Johnston
Sound: Stephen Nelson
Rating: R
Runtime: 1 hr 23 mins
Genre: Comedy drama
Theatrical Release: 03/4/2011
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Synopsis:
A lovable loser finds his future looking up after meeting the woman of his dreams, only to find that he will have to work overtime in order to prevent true love from slipping through his fingers. Herman Spooner (Matthew Lillard) is about to turn thirty. He sells used cars for a living, and still lives at home with his parents. As much as they love him, Herman's parents have set a hard deadline for their son to strike out on his own. That line is Herman's thirtieth birthday. Even worse, Herman's boss has threatened to give him the axe should he fail to improve his numbers and move more cars. When Herman wakes up on the morning of his thirtieth birthday, he assumes that it will be one of the worst days of his life. But then he meets Rose, and all of his fears simply fade away. As the pair sets out on the perfect date, Rose drops a bombshell: she's about to leave for the Philippines. Realizing that he's got precious little time to show Rose how much he really cares, Herman casts all of his fears and doubts aside in a last ditch attempt to convince her their love was meant to be.
Movie Info:
For the lead in “Spooner,” Doremus says he wanted someone with the experience in improvisational comedy to handle the demands of the role. In the end, he specifically crafted the part of Herman Spooner with Matthew Lillard in mind.
“I met him with Lindsay [Stidham, who wrote the “Spooner” screenplay] on a different project. It didn’t work out. … We [then] started thinking of smaller-budget stuff we could do with him,” the director says.
In “Spooner,” Lillard plays a used-car salesman who still lives at home with his parents. Herman Spooner is coming on 30 and complacent living this mundane life — that is, until his parents (Christopher McDonald and Kate Burton) tell him he’s going to have to find a place of his own. On top of that, Spooner’s boss is pressuring him to make more sales or else face getting booted from his job. Through all of this he meets Rose (Nora Zehetner), the girl of his dreams, and sets out to win her heart and convince her not to move to the Philippines.
his dreams, and sets out to win her heart and convince her not to move to the Philippines.
Casting the role of Rose proved to be difficult because both Zehetner and another finalist were convincing enough to get the job. Finally, Doremus says, he went with “the gut call.”
McDonald, on the other hand, was a slam dunk. The veteran of more than 85 films had been on Doremus’ radar since he saw him in the hit 1996 Adam Sandler comedy “Happy Gilmore” and admired his comedic timing.
Doremus says he believes they were able to get McDonald for the role of Dennis Spooner because of his previous relationship with Lillard. The two appeared in the 1998 indie comedy “SLC Punk.”
“I just asked Matt … if he would call Chris to see if he would be up for coming in and doing work on the film for a couple days, and he was so sweet and so cool,” Doremus says.
The director is quite proud of the actors they were able to secure for “Spooner.” In the case of Wendi McLendon-Covey, who plays Linda in the film, he had been a huge fan of her work as Deputy Clementine Johnson in the Comedy Central series “Reno 911!” He recalls her showing up to her audition with the character already well developed. “She was unbelievable — blew everyone else out of the water, and it was so clear that she was the one,” he says.
“Spooner” was shot in the California city of Monrovia, a residential community not unfamiliar to Doremus — he has a brother who lives there who, not coincidentally, is a manager at a local car lot that was used as a backdrop for the movie. The director says he needed a location that wasn’t going to overpower the story. “It felt like a place that was really comfortable and odd enough so that Herman could grow up there and not want to leave,” he says.
It’s this same personal touch that made the scenes at the car lot so significant. “We wanted to make it seem like [Herman] was boxed in to a world that he did not want to be in,” notes Doremus.
The small budget Doremus had to make the comedy — it was less than $1 million — was no laughing matter; he half-jokingly says it shaved years off his life. “We had to be very precise and very planned when we would attack it, and we rehearsed for awhile so we wouldn’t have to spend too much time on the moments with the actors,” he says.
As a result, the cast and crew had to come up with some creative ways to cut corners. “The most dangerous way we did that was by eliminating process trailers that towed the cars,” Doremus explains. He acknowledges the potential danger associated with this particular cost-cutting device. In fact, he adds, at one point Lillard refused to continue with a scene because he felt he was going above and beyond his duty as an actor.
The director says that for his next project he is looking for more of a challenge because he believes people have come to think of him as a quirky indie director. He says he plans to switch gears by delving into a story about a complex relationship. Doremus attributes this shift in style to becoming more cynical as he gets older, but he also concedes he won’t stray too far from his previous style.
Says Doremus, “I think it is just I’m trying to solidify that I am here and I am making movies and I, hopefully, do have something to say and people will take notice.”
“Spooner” is being distributed by Moving Pictures Film & TV.
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