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Cast And CrewStarring: Peter Scanavino,
Jason Robards III, Ana Asensio,
Tim BiancalanaDavid Thornton,
Raynor Scheine,Al Nazemian,
Jay O Sanders,Arthur French
Directed By: Vladan Nikolic
Written By: Vladan Nikolic
Distributor:Cinema Purgatorio
Runtime: 1 hr. 33 min.
Released On: Jan 19, 2011 (Limited)
Genre: Mystery & Suspense,
Science Fiction & Fantasy
Hollywood movie online English movie online Adventure movie Romantic movie online movie Review movie story Family Movie Action Movie Zenith Hollywood Movie Zenith Directed By Vladan Nikolic
Synopsis:
Zenith is a retro-futuristic steam-punk thriller, about two men in two time periods, whose search for the same grand conspiracy leads them to question their own humanity. Starting from a fictional recreation of Stanley Milgram’s Obedience to Authority experiment, Zenith plunges into exploring multifaceted dimensions of the human experience. The film follows two parallel stories – of father and son – now, and 40 years into the future. Searching for the same elusive conspiracy, both father and son find no answers; instead, their journeys unravel their lives and force them to look deep and hard at themselves and their surroundings. In the end, they are both confronted with the same Faustian bargain – but each one chooses a very different path
In a hellish future where human beings have become stupefied by the state of permanent happiness they have been genetically altered to experience,... In a hellish future where human beings have become stupefied by the state of permanent happiness they have been genetically altered to experience, Jack (Peter Scanavino) offers relief via drugs that cause his customers the welcome phenomenon of pain. But when Jack receives a mysterious videotape of his dead father, he sets out to unmask the dangerous conspiracy that has created this dystopian world.
Movie Review:
The low-budget science-fiction thriller Zenith—credited as “a film by anonymous,” but written, directed, and produced by Vladan Nikolic—is both a movie and an experiment in world-building. Set in a not-too-distant future where human beings have been genetically modified to be happy, Zenith stars Peter Scanavino as an epileptic whose spells of misery let him access the secret knowledge that his numbed fellow citizens have lost. Through his connections in an underground ring of pain-dealing drug lords, Scanavino begins to collect videotapes made decades ago by his father (Jason Robards III), a former Catholic priest whose life changed when a parishioner stumbled into his confessional and started rambling about global conspiracies. Picking up where his father left off, Scanavino investigates whether society is controlled by a secret cabal that masks their nefarious activities as philanthropy.
In addition to Zenith The Film, viewers are encouraged to experience Zenith The Transmedia Experience, which encompasses several websites and YouTube videos, each adding to the movie’s mythology, sometimes with input from fans. (Interested parties should start at crowleylocks.com.) It’s an audacious, impressive feat of imagination, turning a few sets and characters into a generation-spanning look at a society where benevolence and malevolence are so finely interwoven that it’s hard to know what to fight against. Nikolic begins Zenith with a dramatization of the Milgram experiment—the famous psychological test in which test subjects proved willing to commit atrocities if an authority figure ordered them to—and throughout the film and its offshoots, he considers the ways in which we follow trails when prompted.
But while Zenith is fascinating to contemplate as a concept, it doesn’t fully work as a piece of entertainment—at least not in 90-minute-movie form. The film starts strong, introducing Scanavino and Robards while cutting between their initial epiphanies, and it ends strong, too, with father and son facing similar situations before their stories converge unexpectedly. But in between, Nikolic pads out the running time with cheesy-looking sex and fight scenes, and with a doubling-back narrative structure that not only makes the story more confusing, but looks like Nikolic is just trying to save money by reusing footage. People only join a movement if its leaders seem confident and competent. Zenith aces the former, but flubs the latter.
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